A sculpture among the greenery
Look at how a sculpture relates to the planting and paths. The outdoor space can change your view as you walk around a work or look at it from further away.
Various artists
Work by Guido Geelen, Gabriël Sterk and Jean-Antoine van der Ven, among others, is mentioned. The current layout determines which works are on view; use the explanations available to identify them.
Part of the route
The garden can offer a quieter moment within the museum visit. Check access and any restrictions if you are coming especially for it, including in poorer weather.
Before you go
Follow the visitor information of Het Noordbrabants Museum. The brasserie has its own conditions; an open terrace or a mention of the garden does not automatically guarantee separate access.
Sources
This first edition has been compiled from collected museum information. Not all of the information has yet been confirmed by the museum. Viewing tips are by the editorial team. The sources used are listed below.
- Beeldentuin Het Museumkwartier — source 1
Source reference supplied; independent source check still needed. Unverified research card reference; model output is not a source of evidence. Content, authority, currency and independence require separate checking.
- Beeldentuin Het Museumkwartier — source 2
Source reference supplied; independent source check still needed. Unverified research card reference; model output is not a source of evidence. Content, authority, currency and independence require separate checking.
- Beeldentuin Het Museumkwartier — source 3
Source reference supplied; independent source check still needed. Unverified research card reference; model output is not a source of evidence. Content, authority, currency and independence require separate checking.
- Beeldentuin Het Museumkwartier — source 4
Source reference supplied; independent source check still needed. Unverified research card reference; model output is not a source of evidence. Content, authority, currency and independence require separate checking.